Annabelle
McEwen

CV
Bio
Statement
Workshops

Art(selected projects)
2026
- Substack
- FILAMENT
- Manoeuvre
- Good Together
2025
- Virtual Gaze
- HARD/SOFT
- STAIN
- Corporeal Gesticulation
- Maculate [Self Scan]
- Choreography
- Tactile
 - Moving Parts
 - Central Space
2024
- Dead Ringer
- The Smartest Horse in the World
- ‘Difference Engine No 1’ Calculating Machine
- BIO_IDENTIFIER_1
2023
- SYD CONT
- Self Scan (photogrammetry)
- Corporeal Data: Reversed Hotlink Composition no.5
- Augment
- Corporeal Data (AR)
2022
- Hypermediation
- BLACK BOX
- Reversed Hotlink Composition
- Edition Three

Instagram
Email





Substack

Gallery Paiza
Curated by Harry de Vries
Room Sheet / Exhibition Essay by Harry de Vries

Annabelle McEwen, Cyber (steer), 2026, ink on found discarded University carpet tiles, 320 x 150 cm, photography: Jessica Maurer


Annabelle McEwen, Cyber (steer), 2026, ink on found discarded University carpet tiles, 320 x 150 cm, photography: Jessica Maurer


Annabelle McEwen, Cyber (steer), 2026, ink on found discarded University carpet tiles, 320 x 150 cm


(left to right)
Lewis Doherty, Scaffold/Painters Plate, 2024, bronze, casting remnants, 25 x 40 x 38 cm
Annabelle McEwen, Cyber (steer), 2026, ink on found discarded University carpet tiles, 320 x 150 cm
George Squires, thanks but no thanks, 2026, mylar balloon, helium, ribbon, dimensions variable
photography: Jessica Maurer


Annabelle McEwen, Cyber (steer), 2026, ink on found discarded University carpet tiles, 320 x 150 cm